Tag Archive | poetry

#OctPoWriMo (Day 4 of 31) Where Does Poetry Hide?

My Words by Crystal R. Cook

DAY 4

(it’s day 8, I caught up, then fell behind, still writing)

Prompt – Where Does Poetry Hide in Your life?

Poetry is everywhere

* * *

It flows round me and within me, it’s in the air I breathe,
it’s in the shadows that I cast, and in my midnight dreams.

It’s in the tears I won’t let fall, and in the ones I have to weep,
it’s in the honest truths, I do not dare to speak.

It’s hiding in my weakness, it roars within my strength,
it’s in my greatest victories, and in my worst defeats.

It’s in my every heartbeat, it’s where my love resides,
it’s in battles I must fight, it’s where my doubt and faith collide.

It’s there when I lose hope, and when my hope’s renewed,
it tiptoes through my nightmares, it’s in my dreams come true.

It’s in my day to day, my yesterdays and tomorrows,
it’s in my pleasure and my pain, in my happiness and my sorrow.

It’s in my stops and starts, and in the breaking of my heart,
it’s with the thing I sometimes fear, may be hiding in the dark.

It’s part of all my ins and outs, and all my in-betweens,
it’s in everything I imagine, it’s in everything I’ve seen.

It’s in words which I have spoken, and those I’ve left unsaid,
it walks among the living, it whispers with the dead.

It lies beside the monsters, underneath my bed,
it’s everywhere I go, and it’s where I dare not tread.

It’s in what I’ve whispered, it’s in what I’ve spoke,
it’s in promises I’ve kept, and promises I’ve broke.

It’s in everything I do, in everything that shapes me,
it’s in the fabric I am made of, it’s in the things that break me.

It’s in what I’ve hidden, it’s in what I’ve found,
that’s where my poetry hides, that’s where my poetry abounds . . .

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~ Previous Challenge Posts ~

#OctPoWriMo 2017

Day 1 How Did You Get here?

Day 2 – We Write Because We Must

Day 3 – Cherita Poem – Metal

#OctPoWriMo (Day 3 of 31)

 

DAY 3

(it’s still day 4, I’ve almost caught up with the crowd! )

Prompt – The Taste of Metal

Write a Cherita using the following prompt as inspiration – The Taste of Metal

A cherita is a form of poetry referred to as hexostitch. It is a 6 line, 3 stanza poem. The first stanza is 1 line, the second, 2, and the third, 3. Cheritas are typically untitled and unrhymed, each cherita should tell a tale.

(Sometimes I follow directions, sometimes I use them as coasters. There is metal in my cherita, it just isn’t being tasted . . .)

* * *

Small metal box, cold to the touch, wrapped in the tulle of an old wedding veil.

Frail and fragile hands caress the top, lift the latch, reach inside.
Watercolor eyes, wet with tears, blink and stare at the treasure within.

One by one she holds them. Word by word she reads them. Each fading page brings memory back to life, she holds his words like she once held his hand, and spreads her wings to join him.

 

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Previous Challenge Posts

#OctPoWriMo 2017

Day 1 How Did You Get here?

Day 2 – We Write Because We Must

#OctPoWriMo (Day 2 of 31)

 

DAY 2

(really, it’s day 4, still late to the party)

Prompt – We Write Because We Must

Free write for ten minutes stating, “We write because we must” 

* * *

We write because we must . . . because the alternative might be madness.


Sometimes words take us by the hand and lead us to the page, we slip off our shoes and dance with them, dance with them for days. We give them reign and let them roam, following were they go, and when we tire, we lay them down, off to rest they go.

Sometimes they beg to rise, once we lay down them down to sleep. We haven’t the time, we need to rest, we pray their souls to keep. Just for a while, precious words, for a while please be still. But with their silent pleas and sorrow, they lead us to the quill.

Sometimes they command, demand attention and release. Overwhelm our thoughts and take control of all our dreams. Not to be ignored, they rage, lest we put them on a page.

There are those among us who can quell the voice within, for others, the only way to quiet them is with a page and pen.

We write to free ourselves, and set others free as well. We write because there’s stories, so many stories we must tell. We write to right the wrongs we see, to fill in voids and blanks. We spread out words before us, and within them, we escape.

We write to soothe our souls, to scream in silent sound, we write to fill the silence with a different kind of sound. We write to find out who we are and what’s inside us.

We write . . . we write, because we simply must.

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Previous Challenge Posts

#OctPoWriMo 2017

Day 1 How Did You Get here?

#OctPoWriMo (day 1 of 31)

DAY 1

(really, it’s day 4, but I’m late to the party)

Prompt – How did you get here?

Forged in fire,
tempered with faith,
in battle I’ve broken,
been mended by grace.
Wounded warrior,
still standing to fight,
shrouded in darkness,
bathing in light.
I stand before God
courageous and scared,
I stand before God,
my soul laid bared.
Mountains I’ve climbed
have filled me with strength,
the miles I’ve traveled
have given me wings.
I tell of my journey
in verse line and ink
in poetry and prose
I breathe and I think.
Chapter by chapter
my story is told
my heart,
my heart is beating,
on the pages you hold.
Every path I have walked,
every detour I’ve trodden,
are mapped on my soul
and never forgotten.
Every step, every stumble
is writ upon my heart,
an unfolding, living story
in which I play a part.

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Beneath the Poet Tree

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I’ll tell you
a tale
once shared
with me,
of a magical place
and the
Poet Tree,
where muses
dance
in the
gentle breeze,
and butterflies fly
with gossamer wings.

It’s been told
a word
was planted,
and a tree began
to grow,
the trunk rose
high above,
the roots reached
far below.
Her branches lifted
toward the sky,
upon each leaf
a poem
was writ,
she shaded
wandering scribes,
who chose
that place
to sit.

Some say
the tree
called out,
to those it felt
would hear,
they sensed a
gentle pull
when they
dared to
venture near.

They say
the leaves
would whisper
in softly spoken
rhyme,
with pure and
perfect recitation,
line by
lovely line.

They felt a
temperate presence,
like a ghost
from days
of old,
weaving words
around them,
so the story has
been told.

With unseen
inspiration,
their words
began to spill,
filling full
their parchment,
emptying
their quills.

Oh, how I long
to hear
her softly
whispered plea,
to take
my place
and rest
and write
beneath the
Poet Tree.

With pen
in hand
and heart
agleam
I’d script
the hopes
and thoughts
inside me,
and words
would waltz
and words
would breathe,
upon a stage
they’d sing.
The words
would dance,
they’d be
dancing
with me,
while I dreamed
a paper dream.

© 2017 Crystal R. Cook

Daily Haiku Challenge – Booknvolume Blog

Morgan, at the Booknvolume blog, is running a Daily Haiku Challenge, and I kind of love haiku, and I always love a good challenge as well. Believe it or not, Haiku can prove quite challenging.

The goal of haiku is to fit something filled with meaning into three short lines consisting of 17 syllables in total, it needs to invoke feeling, and make sense. This is how I’ve always thought of haiku.

Traditional Japanese haiku is, for lack of a better way to say it, simple complexity. I’ll likely never master it, but I do enjoy trying.

A recent walk around the neighborhood served up inspiration, and fortunately, I was able to capture it . . .

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Nature thrives divine
despite effort made by man
to maintain control

cRc

Tanka Poetry Challenge, Lady & Portrait

 

Rambling Writer hosts a weekly tanka poetry challenge and I was happy to find it! Currently, this fun challenge is on week 59 . . .

I love tanka poetry, like haiku, the form utilizes a set number of lines and syllables. Haiku consists of three lines, with 5/7/5 syllables respectively, while tanka consists of 5 lines, with 5/7/5/7/7 for its syllable count.

Portrait and Lady are the two words chosen to tickle the tanka bone. My creative juices have been but a trickle of late, thank you, Rambling Writer, for some much needed inspiration.

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Leonardo da Vinci “Virgin on the Rocks”

Master of each stroke
caressing canvas with brush,
chiaroscuro,
giving pigment breath of life,
portrait of a lady fair

cRc

Some poetic advice for Bad Poetry Day

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Poetic Perfection?

Is there truly such thing as a perfect poem? What reads like unblemished perfection to one, may not receive the same praises from another. Poetry is a subjective art. There are guidelines a writer can follow which may endear their words to a greater audience of readers. The words of a poem provide the reader sustenance with which they can quell their hunger, but the presentation, the way in which the writer chooses to craft their words upon a blank canvas, is important to a readers palate as well.

A poem needn’t be epic in length, think of the power the words of haiku hold.

Writer - Haiku - Crystal R. Cook

Poetry is something which comes from within, composition and form are secondary to the words which will bring meaning and life to the page, but important still. Poetry comes in many forms, perfect to one – nonsense to another. What matters is the author’s voice tickling the reader’s ear through the whispered words of the page.

You needn’t use big words or flowery verse, it doesn’t have to rhyme, and it doesn’t have to be explained; the words and the composition of them should suffice. Writing poetry can be healing, thought-provoking, and at times, profound to both the writer as well as the reader. The perfect poem is the one that touches your soul when you write it, and invites the reader to become one with your words.

Seeking release

The laureate lamented
for her words were skewed,
her altiloquence mistaken
as being quite rude.
Her style clinquant,
her affectation too much,
too many mistakes,
like catchfools and such.
Circumlocution
and too many clichés
made all of her readers
turn quickly away.
What she thought
to be eloquent
was really quite fustian;
due to forced rhyme
she lacked any . . . lyricism?
Pedantry ad nauseam,
not even done right,
left the young writer
feeling contrite.
She vowed to improve,
she promised to change
and pay more attention
how her words were arranged.
Convinced of her talent
she started again,
but was soon held up
by heteronyms.
She stopped and she sighed,
then she started to cry,
for her poetic juices
had completely run dry . . .

CRC

Simply awful with that bit of forced rhyme and the ridiculous use of unnecessarily big words. I must admit though, it was quite fun to write.

Poetry doesn’t have to rhyme. If you cannot rhyme well, you shouldn’t rhyme at all. Forced rhymes destroy what may otherwise be a fine piece of work. Rhymed poetry needs to have a rhythm; it needs to flow seamlessly as it is read. It needs to make sense.

If writing a rhymed piece, ideally each stanza should have the same amount of lines; the rhyme scheme needs to be consistent. There are several ways to craft a rhymed poem, once you’ve chosen your style, remain true to it throughout the piece, the jarring effect of switched up rhyme schemes can throw a reader off.

Every line in a poem does not need to be capitalized; many writers tend to do this, for the reader though, it is often hard to distinguish where one thought ends and another begins. A poem can have commas, periods, and question marks. These details can certainly serve to enhance your work; don’t be afraid to use them.

Poetic beauty is personal passion, as it is with any art. There are those who love and admire the work of Picasso and others who are perplexed and not attracted to it in the slightest, yet both recognize the value of the art itself.

Words never rest,
an endless dance
of thoughts
and epiphanies,
which must
be forgotten
or given
life eternal
upon a page.

Words
ease fear,
create terror,
heal, hurt,
make
insanity
the norm.

They never
cease,
they never
fade,
never fail,
never stop.

CRC

We Write by Crystal R. Cook

And because we spoke of rhyme . . .

Stymied by Rhyme?

Rhyme

To rhyme or not to rhyme, if you choose to rhyme, you must rhyme well, for if you don’t, it will sound like . . . Well, you understand don’t you?

From the Devil’s Dictionary by Ambrose Bierce – RIME, n. Agreeing sounds in the terminals of verse, mostly bad. The verses themselves, as distinguished from prose, mostly dull. Usually (and wickedly) spelled “rhyme.”

When asked about English words without a rhyme, most will quite correctly say orange, purple and silver. There are actually many words in the English language lacking a partner in perfect rhyme.

If it’s true rhyme you’re looking for, you may want to steer clear of the words: anything, January, stubborn, apricot, dictionary and xylophone. Good luck with chaos, angry, hostage, rhythm, shadow, circus, crayon and glimpsed. Angst and empty, depth and width will be tough to rhyme, just like glimpsed and else and diamond and chocolate. Penguin and galaxy do not have any true rhymes, nor does elbow or engine, anxious or monster.

A perfect rhyme, sometimes referred to as true rhyme or full rhyme, is defined by the American Heritage Dictionary of the English Language as; a rhyme in which the final accented vowel and all succeeding consonants or syllables are identical, while the preceding consonants are different, for example, great, late; rider, beside her; dutiful, beautiful.

Pure rhyme can be broken down even further. Words such as dog and log are single pure rhymes. Silly and willy would hence be referred to as double pure rhymes. An example of a triple pure rhyme would be mystery and history.

The longer the word, the harder it will be to find a perfect rhyme, this doesn’t mean they cannot be used in the context of rhyme however. Para-rhymes are defined as a partial or imperfect rhyme, often using assonance or consonance only, as in dry and died or grown and moon. This is also called half rhyme, near rhyme, oblique rhyme, slant rhyme or forced rhyme. This refers to words that do not completely rhyme, but use like sound to form the desired effect. A common example is the word discombobulate, to create a fluid sounding rhyme, three syllables must be utilized, populate would work well as a half rhyme in this instance. Hill and hell or mystery and mastery are examples of para-rhyme.

Masculine rhyme, or monosyllabic rhyme, is among the most common; this technique stresses the final syllable of each word, as in sublime and rhyme, or went and sent. Feminine rhyme differs in that the stress is on two or more syllables such as pleasure and treasure or fountain and mountain. Identical rhyme is simply using the same word twice.

There are various other examples of rhyme; eye rhyme is a rhyme consisting of words, such as lint and pint or love and move with similar spellings, but different sounds. Rich rhyme is a word rhymed with its homonym such as blue with blew, guest with guessed.

Scarce rhymes are words with limited rhyming alternatives like wisp and lisp, motionless and oceanless. Wrenched rhyme is the rhyming of a stressed syllable with an unstressed syllable as in words like lady and bee or bent and firmament.

Internal and external multi-syllable rhymes utilize the rhyming of more than one word, in this example, bleak and seek are internal rhymes; words within the body of the stanza, while night and light are external rhymes and fall at the end of a line.

So she found him
in the bleak of night,
lost on his quest
to seek the light.

Assonance rhyme is the matching of the vowel sounds, feast and feed, fever and feature. In syllable rhyme, the last syllable in each word is matching, pitter and patter, batter and matter. Consonance rhyme is matching the consonants in each word, her and dark. Alliteration is matching the beginning sounds of each word, often used in a series; perfect, poetic, personification.

Many people wrongly assume writing a rhymed poem is an easy task, until they actually try to write one, that is. There is much more to it than seeking words that rhyme, but we’ll discuss it at length some other time.

Crystal R. Cook

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Bleeding Ink

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Artwork by Loui Jover

I’m bleeding ink
with each beat
of my heart.
With every pulse
the words flow faster
than my fingers can
can guide them
to a page.
These words,
unlike so many others,
are mine,
mine alone.
I fear they will be
skewed,
twisted,
misused,
misunderstood.
Wasted on eyes
only looking
between the lines
for something
conveyed
without my intent.
Used to wage war
without my consent.
These words I spill,
I fear
will not be
what you hear.
You’re listening
for something
I’m not trying
to say.
I’m bleeding ink.
It pours out wounds
from words
you shot
like arrows
without aim.
Spoken daggers
flung in the dark
without regard
or reason.
Misplaced outrage
felling the innocent,
breaking their hearts.
I’m bleeding ink
upon pages
no one can see.
I’m bleeding ink,
and it’s killing me.

CRC